The work of artist Kris Kuksi provides a relatively clear statement on the intersection between religion and war.
(via m0sca)
Work by Mary Iverson
From the artist statement:
Mary’s prints and paintings resonate with so many other things that I am looking at online: data visualizations and information graphics, Modernist painting, and resurgences of photo-realistic and illustrative painting as well. I am particularly struck by the relationships in these images between the natural and the artificial, the figurative and the abstract, and the balance of thought and feeling. This balance is reminiscent of my own feelings about the Internet and the “wildness” of its networks. It seems perfectly appropriate that I would first see these images on the web instead of in the more controlled space of a gallery.
Iverson’s shipping containers can be seen as metonymic stand-ins for a whole system of distribution for objects that we deal with every day. These paintings, until recently, left us with little clue of what they might contain. They are like scientific conceptual “black-boxes” which are put into place to sidestep our actual material understanding. We might see these containers on a dock or train and have only a vague sense of what they may contain or how those materials might be used. This parallels directly with the distribution of data on the net. The analog and digital worlds of things echo each other.
